申玲

 职业画家。申玲对油画材料有一种特殊的敏感和近乎天才般的自由支配能力, 油画所特有的表现力被他发挥得淋漓尽致。申玲擅长用强烈的色彩,人体的热烈和人心的愉悦, 她都可以用纯粹的色彩进行淋漓的传达。”生于六十年代,家住靠海边的小城,虽然那时穷困,但是我的家里却常常充满欢声笑语,妈妈爱唱歌,不论做饭、刷碗,还是洗衣服总是哼唱着,爸爸多才多艺,没什么乐器他不会玩,那时爸爸不但教我画画,还教妹妹拉小提琴。所以,我很早就开始走上了学画的万里长征。“申玲讲到自己如是说。
美术家简介
艺术年表
书法家董绪纯的艺术人生-艺见

 著名画家王玉平的夫人。

1965年 生于辽宁省;

1984年 参加国际青年年作品展,中国美术馆,北京

1985年 毕业于中央美术学院附中;

1988年 举办“申玲、王玉平”作品展,中国美术馆,北京

1989年 毕业于中央美术学院油画系第四工作室,现任教于中央美术学院油画系;

1991年 参加“新生代艺术展”,北京历史博物馆;

举办“申玲作品展”,中央美术学院画廊;

1992年 举办“申玲、朱铭作品联展”,法国;

1993年 举办“申玲、王玉平作品展”,中国美术馆,北京;

参加“20世纪中国作品展”;

1994年 参加“第二届中国油画展”,中国美术馆,北京;

参加“当代中国油画展”,冯平山大学,香港;

1995年 参加“中华女画家邀请展”,中国美术馆,北京;

参加“第三届中国油画年展”,中国美术馆,北京;

参加“女画家的世界第二回展”,国际艺苑,北京;

1996年 参加“首届中国油画学会展”,中国美术馆,北京;

参加“首届当代艺术学术邀请展”,香港;

参加“中国油画肖像艺术百年展”,中国美术馆,北京;

1997年 参加“有鱼·有爱”艺术展,观想画廊,台北;

参加“第47届威尼斯双年展”,意大利威尼斯;

参加“首届当代艺术邀请展”,香港;

1998年 参加“中国绘画的50年”艺术展,日中友好会馆,东京;

1999年 参加“99中国当代艺术展”,旧金山,美国;

参加“中国百人小油画作品展”,中国美术馆,北京;

参加“第三世界美术展”,汉城;

参加“第一届中国当代艺术收藏展”,东宇美术馆,沈阳;

参加“Home展”;

2000年 举办“私生活”申玲个展,艺博画廊,上海

2001年 举办“Lover”艺术展,Ethan Cohen Fine Arts画廊,美国纽约;

2003年 参加中国当代艺术展,欧洲;

参加中国“北京双年展”,中国美术馆,北京;

参加“开放的时代——纪念”中国美术馆建馆40周年北京;

2004年 举办“粉床”申玲个展,红门画廊,北京;

举办申玲作品展,湖北美术学院美术馆,武汉;

举办“花床”申玲个展,张江开发区美术馆,上海

2005年 参加中国艺术展,美国麦阿密;

22007年 参加“十年一觉展”,和静园艺术馆,北京;

参加“第二届美术文献展”,武汉;

参加“面对现实”中国当代艺术展,中国美术馆、奥地利维也纳路德维希基金会当代美术馆;

2008年 参加拓展与融合—中国现代油画研究展,中国美术馆;

参加“左手右手展”,上海当代艺术馆,上海;

参加“深度呼吸——中国当代女性艺术的十九个样本苏河艺术展”,上海;

2009年 参加“中央美术学院素描60年展”,中央美术学院美术馆,北京;

2010年 举办“申玲、王玉平作品展”,今日美术馆;

参加“中央美院造型学院教师作品展”,中央美术学院美术馆,北京;

2011年 参加“自我画像——女性艺术在中国”1920-2010中央美术学院美术馆,北京;

参加“回到写生——三代油画家写生作品”中国油画院美术馆,北京;

 

代表作品
申玲美术作品

 申玲、王玉平作品展

申玲、王玉平作品展是两位艺术家继1987年、1993年之后的第三次联展。在前几年艺术市场的热浪中,他们选择了潜心创作、静听心声,不做展览、少参加展览的生活及工作方式。新年刚过,春意迟迟未见,他们忽然萌生了再与大家分享自己作品的愿望。

王玉平的画朴素自然,申玲的画坦白真诚,他们俩虽为夫妻,你中有我、我中有你,却仍然有着各自独立的思考和表达方式。观众将在此次展览中见到他们近几年沉淀下来的东西。

20年艺术的印记

2010年6月19日,由今日美术馆主办的“申玲、王玉平作品展”将在今日美术馆2号馆2层展出。本次作品展是两位伉俪艺术家继1987年、1993年之后的第三次联展。申玲是当代艺术界女艺术家的杰出代表之一。她擅长使用强烈的色彩,又对日常生活有近乎痴迷的执着。无论是人体的热烈或人心的愉悦,她都可以用纯粹的色彩进行淋漓的传达,每一细节和瞬间都焕发着热情的想象力和表达欲望。

这正如艺术家在自述中说:“我依赖大量的速写和默写,在观察生活及感悟生命的过程中,借用这种方式把模糊的感觉变成清晰可见的图象符号,仿佛我每天的心情日记,我凭自己的感觉,以平常心去画我周围的人和事,这是我永远不变的主题。用心说话,是我永远不变的表达方式。我要尽情地表现生命,表现爱,表现生活中的一切泪与笑。”

王玉平对于色彩的敏感来自他对特别的感情经历的反应。因此,他的作品总是可以为观众提供一扇窗,人们通过这扇窗得以窥见他的灵魂深处。艺术家的感情、无论是意气风发还是平和安详,都定格在了色彩缤纷的作品中,使人们容易领会和认同。而观众也都在日复一日中,体验着并不相同的心情情绪。

两位的画作正如中国美术馆馆长范迪安在展览前言中所序:“作为当代画坛老将,他们的作品曾经留给人们热烈的、表现性极强的印象,例如王玉平曾经画的那些颇有象征意味的大鱼以及赫然醒目的人物大肖像,申玲以往画的生活中的饮食男女,刻画了社会转型期中人的身份与关系,都是当代艺术中的代表。而他们大刀阔斧、浓墨重彩、性情毕现的风格,更是体现了他们鲜明的当代意识。”

而正是因为申玲、王玉平近几年两个人没有共同办过画展,因此,此次在今日美术馆展出的作品,大多是艺术家近两年的新作。虽然他们的风格基调基本没有变化,但他们对生活的体察则更加具体实在。

申玲的作品更多的增添了感性,她画笔下的人物,特别是女性的眼神和身段,以及各色植物,既是看到的造型,更是体察到的意态,活脱脱地刻画出了个体的生命。她拒绝了曾经擅长的色彩,用素描的手法勾描眼中所见,用缓慢的线条留住了近距离生活与时光。

王玉平的作品,虽然色彩依旧强烈和率性,但色彩的结构更加自由和多变。色彩本身的气质和意趣冲破了形象的局限,成为耐人寻味的语言。他用丙烯加油画棒的方法,保留了色

块的松动感和随机性,又增添了随形而发的笔线,在滋润的色蕴中提示出具体的末梢细节,

让人的视觉感受丰富起来。

王玉平;申玲 世界末日与灿烂阳光

北京青年周刊专访 王玉平与申玲二人的艺术展前段时间在今日美术馆举行。两个人的作品看起来相得益彰地展示在美术馆的展厅。而俩人的情感表达也是一个内敛一个外向,成为互补的两极,只是,他们都追求自由的精神并热爱生活中的一切细节,被身边美好的事物不断感动着。

写申玲,就一定要写申玲的老公——王玉平。两个人用他们的话来形容,是两个人做了4年的同学20年的夫妻。因此,申玲的画,申玲的世界,和王玉平如此密不可分。很多人说申玲永远也长不大,因为她永远都在谈恋爱,她对婚姻质量要求太高,总想把儿子支开,过二人世界,“我们一吵架我就觉得像世界末日,一和好就阳光灿烂”。

2005年的时候有一本书名为《婚姻是一种艺术》,正是以访谈形式展现了两位艺术家的婚姻爱情生活。此次,二位颇具艺术范儿地简单回答,也展现了婚姻生活中的最最关键点。

English Introduction
申玲美术作品

 Works Exhibition of Shen Ling and Wang Yuping

 

The works exhibition of Shen Ling and Wang Yuping is the third joint exhibition of the two artists after 1987 and 1993. In the heat wave of the art market in the past few years, they chose to concentrate on their creation, listen to their hearts, do not exhibit, and participate in fewer exhibitions of life and work. Just after the New Year, the Spring Festival has not been seen yet. Suddenly, they have a desire to share their works with you.

 

Wang Yuping's paintings are simple and natural. Shen Ling's paintings are frank and sincere. Although they are husband and wife, you have me and I have you, they still have their own independent ways of thinking and expression. The audience will see what they have settled down in recent years in this exhibition.

 

The Imprint of 20 Years of Art

 

On June 19, 2010, the exhibition of Shenling and Wang Yuping's works, sponsored by Today's Art Museum, will be displayed on the 2nd floor of Museum 2 of Today's Art Museum. This exhibition is the third joint exhibition of two couple artists after 1987 and 1993. Shen Ling is one of the outstanding representatives of female artists in contemporary art circles. She is good at using strong colors and is almost obsessed with everyday life. Whether it is the enthusiasm of the human body or the pleasure of the human heart, she can use pure color to convey incisively, every detail and instant is full of warm imagination and desire to express.

 

This is just as the artist said in his narrative: "I rely on a lot of sketches and dictation. In the process of observing and perceiving life, I use this way to turn vague feelings into clear and visible image symbols. It is like my daily mood diary. I draw people and things around me with my own feelings and with an ordinary mind. This is my eternal theme. Speaking with heart is my constant expression. I want to show life, love and all the tears and laughter in life.

 

Wang Yuping's sensitivity to color comes from his reaction to special emotional experiences. Therefore, his works always provide a window for the audience, through which people can see the depth of his soul. The artist's feelings, whether in high spirits or in peace and tranquility, are fixed in colorful works, which make people easy to understand and identify with. And audiences are experiencing different moods day after day.

 

As Fan Dian, the curator of the Chinese Art Museum, prefaced in the preface of the exhibition, "As veterans of the contemporary art world, their works once left people with warm and expressive impressions, such as those big fish with symbolic meanings and striking portraits of figures painted by Wang Yuping, the men and women in the diet painted by Shen Ling in the past, depicting the period of social transformation." The identity and relationship of the Chinese are the representatives of contemporary art. And their bold, colorful and temperamental style embodies their distinct contemporary consciousness.

 

Because Shen Ling and Wang Yuping haven't jointly held an art exhibition in recent years, most of the works on display in today's art museum are new works of artists in recent two years. Although the tone of their style is basically unchanged, their perception of life is more concrete.

 

Shen Ling's works add more sensibility. Her characters, especially women's eyes and stature, as well as various plants, are not only the shapes she sees, but also the moods she perceives, vividly portraying the life of an individual. She rejected the colours she used to be good at, sketched what she saw in her eyes, and kept her close life and time with slow lines.

 

Although the color of Wang Yuping's works is still strong and frank, the structure of color is more free and changeable. The temperament and interest of color itself break through the limitation of image and become an interesting language. He used propylene canvas sticks to preserve color.

 

The looseness and randomness of the blocks add a line of strokes that follow the shape, and show specific details of the endings in the moist color.

 

It enriches people's visual experience.

 

Wang Yuping; Shenling's End of the World and Brilliant Sunshine

 

An interview with Beijing Youth Weekly with Wang Yuping and Shenling was held in today's Art Museum some time ago. The two men's works seem to complement each other in the gallery's exhibition hall. Their emotional expression is also an introverted and extroverted, becoming complementary poles, but they both pursue the spirit of freedom and love all the details of life, and are constantly moved by the beautiful things around them.

 

To write about Shenling, we must write about her husband, Wang Yuping. Two people, in their words, are married couples who have been classmates for four years for 20 years. Therefore, Shen Ling's paintings, Shen Ling's world, and Wang Yuping are so inseparable. Many people say that Shen Ling will never grow up, because she is always in love, she is too demanding on the quality of marriage, always want to split up her son, two worlds, "We quarrel, I feel like the end of the world, a good harmony on the sunshine."

 

In 2005, there was a book entitled Marriage is an Art. It was in the form of interviews that the two artists showed their marriage and love life. This time, the two artistically simple answers also show the most critical points in marriage life.

名人作品

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