赵熊

赵熊书法作品

 赵熊，字大愚，别署药石庐，面墙斋，风过耳堂。1949年2月1日生于西安。

陕西书学院专业书法篆刻家、中国书协会员、中国书协篆刻委员会委员、中国书协书法培训中心教授、陕西省文联委员、陕西教育学院客座教授、终南印社社长。作品曾多次参加全国书法篆刻展、全国中青展、全国篆刻艺术展及国内外重大展览。作品或传略收入《中国新文艺大系·书法集》等数十种国内外专集、辞典，出版作品集或有关书籍十余种，编著有十余万字的书法篆刻教材及古今作品赏析文字，发表论文、散文及相关文章数十篇。 幼喜书法篆刻，1972年师从陈泽秦先生。1982年加入中国书协。作品参加第一、二、三届全国书法篆刻展览，第二、三届全国中青年书法篆刻展览和第二届全国篆刻展览，并被收入《中国新文艺大系·书法集》及国内外数十种作品集。论文入选全国第三、四、六届书学研讨会。现为中国书协会员、中国书协篆刻委员会委员、中国书协书法培训中心教授、陕西省书法家协会名誉主席、西安终南印社社长、陕西书学院专业书法家等。

 赵熊是陕西书坛思维敏捷，博学多识的实力派艺术家，在书、画、印创作上都取得了突出的成就，融众艺为一体，大器晚成。赵熊在篆刻艺术上下的功夫最大，取得的成就亦最高。他从金石文字学入手，在对传统印章艺术形与神的研习和体味中进行了极扎实的训练，练字炼意，求形取神。他的篆刻取法广泛，战国古玺、秦汉印章及明清各家，莫不潜心研习，具有深厚的艺术积累和造诣，使作品既有浓厚的传统韵味，又具有鲜明的时代精神。他的书法功力扎实，诸体皆能，尤以篆隶和行书著名。赵熊在书法创作上的成功创造在于集多年深厚的篆、隶基础，创作出别具一格的“五分书”，即以篆书之形，表隶书之神，篆隶笔法各取一半，入古出新，气势磅礴而旷达。

在积极努力进行书法篆刻创作实践的同时，赵熊亦注重书法篆刻的理论研究与基础教育，出版有《赵熊篆刻集》、《米芾蜀素帖技法赏析》、《怎样学隶书》、《篆刻十讲》、《中国篆刻百家·赵熊卷》等近二十种书法篆刻书。

 He is a professional calligrapher and seal Carver of Shaanxi calligraphy college, a member of the Chinese Calligraphy Association, a member of the seal carving Committee of the Chinese Calligraphy Association, a professor of the calligraphy training center of the Chinese Calligraphy Association, a member of the Shaanxi Federation of literary and art circles, a visiting professor of the Shaanxi Education College, and the president of the Zhongnan printing society. His works have participated in many national calligraphy and seal cutting exhibitions, national Zhongqing exhibition, national seal cutting art exhibition and major exhibitions at home and abroad. His works or biographies are included in dozens of domestic and foreign monographs and dictionaries, such as "calligraphy collection of new literature and Art Department of China". He has published more than ten kinds of works or related books, compiled more than one hundred thousand characters of calligraphy and seal cutting textbooks and appreciation texts of ancient and modern works, and published dozens of papers, essays and related articles. Youxi calligraphy and seal cutting, studied with Mr. Chen Zeqin in 1972. He joined the Chinese Book Association in 1982. His works participated in the first, second and third national calligraphy and seal cutting exhibitions, the second and third national calligraphy and seal cutting exhibitions for young and middle-aged people, and the second national seal cutting exhibition, and were included in "calligraphy collection of new literature and Art Department of China" and dozens of works collection at home and abroad. The paper was selected into the third, fourth and Sixth National Symposium on philology. At present, he is a member of the Chinese Calligraphy Association, a member of the seal cutting Committee of the Chinese Calligraphy Association, a professor of the calligraphy training center of the Chinese Calligraphy Association, honorary chairman of the Shaanxi Calligrapher Association, President of Xi'an Zhongnan printing society, and a professional calligrapher of Shaanxi Calligraphy Institute.

Zhao Xiong is a powerful artist with quick thinking and erudite knowledge in Shaanxi calligraphy circle. He has made outstanding achievements in the creation of books, paintings and seals. He integrates all kinds of arts into one, and is a late bloomer. Zhao Xiong has made the greatest efforts and achievements in seal cutting art. Starting from the study of epigraphy, he carried out a very solid training in the study and taste of traditional seal art form and spirit, practised the character and meaning, and sought the form and spirit. His seal cutting methods are extensive. The ancient seals of the Warring States period, the seals of the Qin and Han Dynasties, and the seals of the Ming and Qing dynasties all devote themselves to study and have profound artistic accumulation and attainments, which makes his works not only have strong traditional charm, but also have distinct spirit of the times. His calligraphy skills are solid, all kinds of body can be, especially in seal script and running script. Zhao Xiong's successful creation in calligraphy is to create a unique "five part script", which is based on the profound Zhuan and Li for many years. That is to say, the shape of Zhuan script and the spirit of Li script are expressed. The strokes of Zhuan and Li script are taken in half respectively, and they are new in ancient times. They are magnificent and broad-minded.

While actively striving for the practice of calligraphy and seal cutting, Zhao Xiong also paid attention to the theoretical research and basic education of calligraphy and seal cutting, and published nearly 20 kinds of calligraphy and seal cutting books, such as seal cutting collection of Zhao Xiong, appreciation of Mi Fu's Shu Sutra technique, how to learn official script, ten lectures on seal cutting, hundred Chinese seal cutting schools, Zhao Xiong Juan, etc.