王大同

王大同，1937年生，布依族，贵州安龙人。擅长油画，1954年在西南美术专科学校学习，后任四川美术学院油画专业教授，中国美术家协会会员。《雨过天晴》获全国美展银奖，《布依乡场》获全国少数民族美展佳作奖。
作品曾多次赴亚欧美多国展出，受高度评价，曾在美国纽约《中国当代油画展》上创中国在海外展示作品售价记录。在日本东京其作品亦数千万日元出售，被誉为“绘画艺术大师”，代表作被入选《中国美术五十年》、《中国美术馆藏画选》、《中国当代油画》等典册，国家出版《王大同油画选》(1986年公费出版)，《王大同油画》(2008年)。
1979年创作的作品《雨过天晴》获全国美展二等奖，于美、加、苏、澳、日五国参展，并为中国美术馆收藏，是当时中国艺术界首次走出国门展览的重要作品之一，被称为象征时代转换的佳作。作为新时期以来重庆美术最早在全国层面获得的最高奖，川美原院长叶毓山(已故)曾评价说：“从《雨过天晴》问世之后，我院作品就像雨后春笋一样破土而出，呈现了朝气勃勃的局面。”
二十年前，王大同的写实风格有所变化，逐渐开始进行意向性探索，一方面他的写实画变得更加深入细致，《大漠孤魂》、《岸》、《沉思》、《印》、《消失的梦痕》等系列既接近于超级写实，又有别于照相写实。另一方面，他又开始尝试创作超现实绘画，《太初》、《三界》、《沉沦》、《毁灭》等系列，在国内艺术界评价甚高，画中是人体是非现实的真实，亦是心灵幻境的真实。后来王大同又着手将贵州傩戏古朴神秘的元素搬上油画，创作了雄浑敦厚的《蛮荒古俗》系列。
生前，王大同对于自己画风的数次改变曾说：“我把艺术家的作品分成几个等级，一种是模仿前人，沿袭传统;一种是创作很有个性;另一种是风格随时代变化而变化，我希望自己是第三种。”

Wang Datong, unripe 1937, the Bouyei nationality, guizhou installs Long Ren. Be good at canvas, learned in southwest art training school 1954, major of canvas of successor Sichuan academy of fine arts is taught, chinese artist academician. " the sun shines again after rain " obtain countrywide beauty to exhibit silver-colored award, " cloth depends on countryside field " obtain countrywide minority beauty to exhibit award of an excellent work.
Work ever went to Asia-Europe beauty for many times multilateral showpiece, get high opinion, ever was in American new York " Chinese contemporary canvas is exhibited " on achieve Chinese overseas to reveal work price to record. In Japanese Tokyo its work also counts ten million yen to sell, be known as " painterly and artistic Great Master " , masterpiece by selected " Chinese art 50 years " , " picture of Chinese art holding is chosen " , " Chinese contemporary canvas " wait for allusion book, the country is published " canvas of king Great Harmony is chosen " (at public expense published) 1986, " canvas of king Great Harmony " (2008) .
The work that created 1979 " the sun shines again after rain " obtain countrywide beauty to exhibit second-class award, at the United States, add, revive, bay, 5 countries ginseng postpones day, collect for Chinese art gallery, it is at that time one of serious work that Chinese artistic group takes door going abroad to exhibit first, be called to symbolize an excellent work that the times changes. What Chongqing art obtains the earliest in countrywide level is highest since serving as new period award, xie Yushan of plain beauty former dean (deceased) Ceng Ping price says: "From " the sun shines again after rain " after coming out, my courtyard work resembles emerge same break ground and piece, presented the situation with exuberant spark. Presented the situation with exuberant spark..
20 years ago, of Wang Datong realistically the manner varies somewhat, begin to undertake intentional exploration gradually, on one hand his draw realistically become more thorough and meticulous, " fetch of big desert Gu " , " bank " , " contemplative " , " imprint " , " the dream mark that disappear " wait for series to approach Yu Chao level already realistically, have again not at taking a picture realistically. On the other hand, he begins to try creation to exceed actual brushwork again, " too first " , " 3 bounds " , " sink into " , " destruction " wait for series, in domestic art the bound is evaluated very tall, reality of human body dispute is in the picture is true, also be interior dreamland is true. Wang Datong begins to make fun of Guizhou exorcise again later the element with mysterious of primitive simplicity moves canvas, created vigorous and firm honest and sincere " pretty barren Gu Su " series.
Before one's death, wang Datong draws several changes of wind to ever said to oneself: "I divide the artist's work into a few grade, one kind is to imitate forefathers, follow tradition; is creation a kind very individualize; is color along with times change change another kind, I hope I am the 3rd kind. I hope I am the 3rd kind..